Alyx Ransom Reigns Supreme with Tiger Queen, Redefining Power and the Bad Bitch Party Music Movement

In the heart of Atlanta’s Eastside, Alyx Ransom is crafting a sound, and a movement, that refuses to be ignored, a cultural wave that blends raw Southern rap roots with a fearless feminine edge. With her debut project Tiger Queen, produced entirely by Sauce Lord Rich, she is not just dropping an album, she is making a statement about power, resilience, and self-definition. Every beat, lyric, and visual element reflects her commitment to inspiring women to embrace their confidence and lead with authenticity. She’s putting a crown on her head and daring other women to do the same, challenging the narrative about what female rap can sound and look like. In this in-depth editorial, Alyx opens up about the inspiration behind her music, the lessons from her journey, and why Tiger Queen is more than just a debut, it is the beginning of a legacy.

Alyx, for readers just getting to know you, how would you describe your sound?
I call it Bad Bitch Party Music, a genre and energy that I created to fully capture my personality and purpose as an artist. It is fun, bold, and unapologetically feminine, yet layered with real-life experiences and lessons that give it depth. I want my music to be the soundtrack for women who walk into a room and immediately command attention, not because they are trying to fit in, but because they are owning their space with confidence. You will hear vibrant production built on heavy basslines and dynamic beats, paired with catchy hooks you cannot forget, and lyrics that pour into your self-worth. My songs are meant to get you moving physically, but they are also meant to speak to your spirit long after the night ends. I want my listeners to feel seen, powerful, and limitless, whether they are in the club, at work, or in their own mirror hyping themselves up. It is for women who refuse to shrink themselves, who embrace their power in every setting, and who are not afraid to show the world all sides of who they are.

Let’s talk about Tiger Queen. What’s the story behind the name and the vision for this project?
Tigers have always symbolized strength, courage, and resilience to me, and those qualities are the foundation of everything I stand for as an artist and a woman. Across cultures, tigers are seen as guardians of power and vitality, fierce protectors who are not afraid to face challenges head on. That imagery resonated with me because my own journey has been about confronting obstacles, embracing my inner strength, and moving forward with confidence no matter what. That is exactly what I wanted this project to embody, not just in the music but in the visuals, the roll out, and the way people feel when they hear it. Tiger Queen has 13 tracks, each produced by Sauce Lord Rich, and every song carries a specific layer of that tiger energy, whether it is the unshakable confidence in Step, the unapologetic, playful power of Make It Jiggle, or the heartfelt vulnerability and reflection of 4U. I wanted the project to feel like a toolkit for women, something they could turn to in moments of celebration when they want to feel invincible, in moments of self reflection when they need a reminder of their worth, or in moments of determination when they are fighting for their goals. It is an album built to empower, entertain, and affirm that you can be both powerful and soft, both fierce and feminine, all at the same time.

You are featured on a song from Jermaine Dupri’s latest project. Can you tell us about that experience?
Jermaine Dupri is a legendary producer, songwriter, and the founder of So So Def, so being part of his project felt like a full circle Atlanta moment for me. The track is called Freak, and it is the lead single from the official soundtrack to the STARZ docuseries Magic City: An American Fantasy, which is already out now. I teamed up with Travis Porter and Bow Wow for this one, and together we created a bass-heavy, high-energy anthem that captures the unapologetic, party-driven spirit of Atlanta’s nightlife. Freak is made for the clubs, the radio, and every playlist that needs a shot of pure energy. The song reflects the influence Magic City has had on Southern hip hop, fashion, and culture, and being part of that story means a lot to me. The soundtrack and docuseries give an unfiltered look at how this iconic Atlanta strip club helped shape the city’s sound and swagger. It is bold, it is fun, and it is an authentic celebration of a scene that has inspired me and so many other artists.

Before your solo career, you were in an R&B group. How did that shape your artistry?
I was in a group called Levi Johnson, and that experience was like music industry boot camp in every sense. We were not just singing, we were learning the entire business from the ground up, writing our own music, arranging harmonies, booking our own shows, managing rehearsals, handling press, and figuring out how to market ourselves on a shoestring budget. It taught me the importance of versatility, being able to adapt my voice and my style to different moods and genres while still keeping my identity intact. I learned how to connect emotionally with an audience so they feel the lyrics just as much as they hear them, and how to tell a story through a song from the first note to the last. Even though I have transitioned to rap, those R&B roots still shape my flow, my melodic sensibilities, and my ability to weave emotion into every track. When I joined Playas Club Music Group, Clay James recognized that authenticity right away. He gave me the structure, resources, and mentorship to level up without ever asking me to compromise who I am or what my brand stands for.

You have been on the Collision Course Concert Series tour. What has that been like?
Touring has been nothing short of transformative for me, both as an artist and as a person. We have hit New York, Georgia, Florida, and Texas, and each city has brought its own unique energy, challenges, and rewards. I have had moments where fans in the crowd are rapping my lyrics word for word, which is an indescribable feeling, and I have been able to connect with artists whose work I have respected for years, building genuine relationships that will last beyond the tour. I have learned to adapt my set and energy to match the vibe of each audience, whether it is an intimate venue where I can lock eyes with every person in the room or a packed stage where I have to project my energy to the back wall. The Collision Course team makes sure everything is handled with precision, from sound checks and staging to marketing and media coverage, which allows me to focus completely on delivering the best performance possible. Being on this tour has sharpened my stage presence, taught me how to engage with different crowd dynamics, improved my stamina, and reinforced why live performance is one of the most powerful and irreplaceable tools an artist has to truly connect with their audience.

What’s next for you beyond Tiger Queen?
I am in full creation mode, constantly writing, recording, and experimenting with new sounds that challenge me and push my artistry to another level. I am working on singles that elevate my Bad Bitch Party Music energy while exploring different layers of my creativity, from club-ready anthems to more introspective tracks. My visuals are becoming more cinematic and concept-driven, with storylines that immerse fans in the world behind each song. I am also expanding my collaborations, working with artists and producers across different genres to create music that reaches new audiences while staying authentic to my voice. Fashion has always been an extension of my artistry, so I am stepping deeper into it with curated looks that reflect my personality, my mood, and the themes of my music. On the business side, I am exploring brand partnerships that genuinely align with my lifestyle and values, ensuring that everything I put my name on resonates with my audience. Long-term, I see myself building a full-scale movement, not just a catalog of songs, whether that is launching a lifestyle brand, starting a mentorship program for young women in music, or creating a creative agency that helps independent artists navigate the industry. Everything I am building is meant to inspire confidence, ambition, and self-worth in the women who connect with my work.

Any final words for your listeners?
Keep hustling, and remember that success is built on persistence, resilience, and staying true to who you are. Stay soft but strong, because strength does not mean you have to lose your compassion or your femininity. Do not let anyone dim your light, whether it is in relationships, in business, or in your own mind. Protect your energy, surround yourself with people who believe in your vision, and never let fear keep you from taking up the space you deserve. You are the main character in your story, so live like it with intention, confidence, and pride. You are a bad bitch, always have been, always will be, and that is a truth no one can take from you, no matter the circumstances.

With Tiger Queen, Alyx Ransom is not just stepping into the spotlight, she is staking her claim as a dominant force in music and culture, fully embracing her role as a leader and a voice for unapologetic feminine empowerment. She is claiming her throne with intention, artistry, and authenticity, and she is making sure every woman watching understands that they too have the right and the power to rise, to own their space, and to wear their crown proudly in whatever arena they choose